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Violet Bent Backwards Over the Grass Hardcover – 29 Sept. 2020
Lana Del Rey (Author) See search results for this author |
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THE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS
'Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. Lana Del Rey
Lana’s breathtaking first book solidifies her further as 'the essential writer of her times' (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.
Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.
- Print length128 pages
- LanguageEnglish
- PublisherSimon & Schuster UK
- Publication date29 Sept. 2020
- Dimensions22.1 x 2.1 x 14.9 cm
- ISBN-101471199665
- ISBN-13978-1471199660
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Product details
- Publisher : Simon & Schuster UK; 1st edition (29 Sept. 2020)
- Language : English
- Hardcover : 128 pages
- ISBN-10 : 1471199665
- ISBN-13 : 978-1471199660
- Dimensions : 22.1 x 2.1 x 14.9 cm
- Best Sellers Rank: 4,691 in Books (See Top 100 in Books)
- 12 in Love Poetry (Books)
- Customer reviews:
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Ps. Lana put on a damn mask! 🤬

By TK on 7 October 2020
Ps. Lana put on a damn mask! 🤬

Dipped my toes in rose and money'
***
'...put you on speaker
and chat for hours underneath the trees
and think about the last time you were here lying next to me
how the noise from the cars got louder and louder
during rush hour
until it sounded like a river or a stream
and it felt like we were swimming
but it wasn't just a dream
we were just
happy'
It seems a natural development from her career as a singer that Lana del Rey wrote this book of poems, as, unusually for pop songs, her lyrics read well even without music just on the page. However, her poems here are deeper and more complex than her song words. She has created a wider experience than just words on paper. The typewritten look of the text illustrated by old-fashionedly unsharp photos of California create a 'retro' look that somehow suits this book, with lines like:
'Standing stoic blue and denim'
that expresses in 5 words a particularly 20th Century American kind of masculinity.
There are several simple but striking paintings by Erica Lee Sears, including the round, bright oranges glowing amid green leaves and shadows, with glimpses of light blue sky between, on the cover. Also, colour and black and white photos, many taken by Lana herself. Then there is the sound of her voice speaking some of the poems accompanied by snatches of music and sound effects on the accompanying audio book (or YouTube). All blend and complement each other.
There are a number of slight differences in the poems printed in this book and the recordings. In line 7 of 'Paradise is Very Fragile' the page refers to a tree house 'standing for 60 years' but in the spoken version Lana says '80 years'; the latter makes more sense in context so perhaps the book contains a misprint. Even so, I find it best to read the poems on the page first, then listen to them while following the written text, then re-read to make sense of the more obscure passages, and listen again.
The poems often have an emotional logic rather than logical logic. Sometimes I can find no clear meaning. I do not know if that is because there isn't one or there is but I can't see it.
The title of this book 'Violet Bent Backwards over the Grass' comes from one of the poems, about a carefree little girl called Violet.
Most of the poems obey no consistent metre, rhyme scheme or structure. Some rhyme for a few lines and then continue without rhyming.
Lana does though stick to the rules of Haikus, of which she includes several. Haikus are very short poems invented in Japan, with a first line of 5 syllables, a second line of 7 syllables and a third and final line of 5 syllables, so 17 syllables in all. Examples from this collection include:
'Poets- like comics
are inherently quite sad
better off alone'
'I stepped on a bird
cried in my new boyfriend's arms
to live is to kill'
My favourite poem in 'Violet bent backwards...' is 'LA Who am I to Love You?' This is addressed to the City of Los Angeles, asking the City, her adopted home, to welcome her back, adding 'I never had a mother'. Whether that implies a personal rift between Lana and her real mother is probably not our business. If it does, I am sad for both of them. However, in some poems Ms Del Rey states things about herself that are not literally true. She says in one poem she has a husband and in another an ex-husband, although as far as I know Lana at time of writing has never been married, but is currently engaged.
My second favourite poem in this collection, 'Paradise is Very Fragile' begins with Lana's concerns for the World and her country, but becomes more personal towards the end, 'I am Very Fragile'. Along the way she thinks or dreams about Eve tempted by the serpent in the Garden of Eden to eat forbidden fruit:
'Paradise is very fragile and it's only getting worse
and every time you leave I seem to think about the curse
bestowed upon Eve
that faithful eve
she took that bite
from that fruitful tree...
...citrus watercolor images of serpents on orange trees quietly arise and grow sweet in my midst'
Quite a short book to which I shall return many times.
Poetry very similar to the style of Lana’s music. As a fan, I found it very soothing and compelling.
Can’t recommend enough!

By Martins Pepernieks on 31 October 2020
Poetry very similar to the style of Lana’s music. As a fan, I found it very soothing and compelling.
Can’t recommend enough!
