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Steal Like An Artist: 10 Things Nobody Told You About Being Creative (Austin Kleon) Paperback – 1 April 2012
Austin Kleon (Author) See search results for this author |
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Enhance your purchase
- Print length144 pages
- LanguageEnglish
- PublisherWorkman
- Publication date1 April 2012
- Dimensions15.4 x 1.43 x 15.24 cm
- ISBN-109780761169253
- ISBN-13978-0761169253
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Product description
Review
"Immersing yourself in Steal Like an Artist is as fine an investment in the life of your mind as you can hope to make." - TheAtlantic.com
"Steal Like An Artist is an actually readable manifesto on how to properly squeeze your brain-juices and unlock your potential." -- Thrillist
From the Back Cover
- Steal like an artist.
- Don't wait until you know who you are to get started.
- Write the book you want to read.
- Use your hands.
- Side projects and hobbies are important.
- The secret: do good work and share it with people.
- Geography is no longer our master.
- Be nice. (The world is a small town.)
- Be boring. (It's the only way to get work done.)
- Creativity is subtraction.
About the Author
Austin Kleon is a writer who draws. He is the author of the New York Times bestsellers Steal Like an Artist and Show Your Work! His work has been featured on NPR’s Morning Edition, PBS Newshour, and in the New York Times and Wall Street Journal. He also speaks frequently about creativity in the digital age for such organizations as Pixar, Google, SXSW, TEDx, and The Economist. He lives in Austin, Texas, and online at austinkleon.com.
Excerpt. © Reprinted by permission. All rights reserved.
Every artist gets asked the question,
'Where do you get your ideas?'
The honest artist answers,
'I steal them.'
How does an artist look at the world?
First, you figure out what's worth stealing, then you move on to the next thing.
That's about all there is to it.
When you look at the world this way, you stop worrying about what's 'good' and what's 'bad''there's only stuff worth stealing, and stuff that's not worth stealing.
Everything is up for grabs. If you don't find something worth stealing today, you might find it worth stealing tomorrow or a month or a year from now.
'the only art I'll ever study is stuff that I can steal from.'
'David Bowie
NOTHING IS ORIGINAL
The writer Jonathan Lethem has said that when people call something 'original," nine out of ten times they just don't know the references or the original sources involved.
What a good artist understands is that nothing comes from nowhere. All creative work builds on what came before. Nothing is completely original.
It's right there in the Bible: 'there is nothing new under the sun.' (Ecclesiastes 1:9)
Some people find this idea depressing, but it fills me with hope. As the French writer André Gide put it, 'Everything that needs to be said has already been said. But, since no one was listening, everything must be said again."
If we're free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and we can embrace influence instead of running away from it.
'What is originality? Undetected plagiarism.'
'William Ralph Inge
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Product details
- ASIN : 0761169253
- Publisher : Workman; 1st edition (1 April 2012)
- Language : English
- Paperback : 144 pages
- ISBN-10 : 9780761169253
- ISBN-13 : 978-0761169253
- Dimensions : 15.4 x 1.43 x 15.24 cm
- Best Sellers Rank: 1,919 in Books (See Top 100 in Books)
- Customer reviews:
About the author

Austin Kleon is a writer and artist living in Austin, Texas. He's the author of two bestselling books: Steal Like an Artist, a manifesto for creativity in the digital age, and Newspaper Blackout, a collection of poetry made by redacting newspaper articles with a permanent marker. He speaks about creativity for organizations such as Pixar, Google, SXSW, TEDx, and The Economist. Visit him online at www.austinkleon.com.
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Reviewed in the United Kingdom on 5 January 2020
Top reviews from United Kingdom
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I needed this book, but didn't know about it until it was recommended.
I'd reached out to the group about the fact that as an illustrator I felt a bit lost in the creative world, like I hadn't found my place, because I didn't have a 'style' by which people could recognise my work, and no particular style that I favoured illustrating over others, I just felt like I wasn't a real illustrator if I didn't produce consistent work that was clearly 'me', like everyone else seems to do. I would (and still do really) trawl through the art by others I admired, and be able to say oh that's by so and so, they're so good!
No one could do that with me, as my illustrations are so random, there's no cohesion. Should I stop putting my art out there until I know who I am as an artist?
So this book was one of two recommended to me to read (find your artistic voice by Lisa Congdon is the other).
And I'm so glad I did buy this. It all made sense, it all seemed so relatable, in particular section 2 - Don't wait until you know who you are to get started.
If you're an artist just starting out, or one who already creates a lot of art (any kind of creation really) and are unsure you belong in the creative world yet because you're not good enough, or you're not original enough, or you don't know your style yet - get this book.

By Bec Webb on 5 January 2020
I needed this book, but didn't know about it until it was recommended.
I'd reached out to the group about the fact that as an illustrator I felt a bit lost in the creative world, like I hadn't found my place, because I didn't have a 'style' by which people could recognise my work, and no particular style that I favoured illustrating over others, I just felt like I wasn't a real illustrator if I didn't produce consistent work that was clearly 'me', like everyone else seems to do. I would (and still do really) trawl through the art by others I admired, and be able to say oh that's by so and so, they're so good!
No one could do that with me, as my illustrations are so random, there's no cohesion. Should I stop putting my art out there until I know who I am as an artist?
So this book was one of two recommended to me to read (find your artistic voice by Lisa Congdon is the other).
And I'm so glad I did buy this. It all made sense, it all seemed so relatable, in particular section 2 - Don't wait until you know who you are to get started.
If you're an artist just starting out, or one who already creates a lot of art (any kind of creation really) and are unsure you belong in the creative world yet because you're not good enough, or you're not original enough, or you don't know your style yet - get this book.






Every aspiring, yet insecure and fearful artist should read this book.
Love the fact that it is so easy and simple to read and relate to. The author had done a fantastic job of delivering his ideas and points across, including the creative illustrations. Not to mention it is fun and entertaining too! Could not stop myself and finished it in a few hours.
I am an artist, however I feel like this book would suit anyone! I find that it helps to ignite the lost curiosity towards simple things of life...
To summarise: I would recommend this book.

By Penny the story reader on 28 June 2017


The book made me think about copying over plagiarism in a different way. Modification and expansion of ideas is core to Austin’s take on creativity. His tips on how to manage creativity were great too.
I remember writing, probably awful, poetry as a teen and loved doing it but gave it up when work and awkwardness set in in early adult life. His chapter on being the sum of your interests resonated.
I will definitely be working through his other books.
Insightful, honest, comfortingly realistic about limitations (see marry well section) and inspiring.