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The Sea House Hardcover – 15 April 2014
Elisabeth Gifford (Author) See search results for this author |
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In 1860, Alexander Ferguson, a newly ordained vicar and amateur evolutionary scientist, takes up his new parish, a poor, isolated patch on the remote Scottish island of Harris. He hopes to uncover the truth behind the legend of the selkiesmermaids or seal people who have been sighted off the north of Scotland for centuries. He has a more personal motive, too; family legend states that Alexander is descended from seal men. As he struggles to be the good pastor he was called to be, his maid Moira faces the terrible eviction of her family by Lord Marstone, whose family owns the island. Their time on the island will irrevocably change the course of both their lives, but the white house on the edge of the dunes keeps its silence long after they are gone.
It will be more than a century before the Sea House reluctantly gives up its secrets. Ruth and Michael buy the grand but dilapidated building and begin to turn it into a home for the family they hope to have. Their dreams are marred by a shocking discovery. The tiny bones of a baby are buried beneath the house; the child's fragile legs are fused togethera mermaid child. Who buried the bones? And why? To heal her own demons, Ruth feels she must discover the secrets of her new homebut the answers to her questions may lie in her own traumatic past. The Sea House by Elisabeth Gifford is a sweeping tale of hope and redemption and a study of how we heal ourselves by discovering our histories.
- Print length308 pages
- LanguageEnglish
- PublisherSt Martins Pr
- Publication date15 April 2014
- Dimensions16.56 x 2.79 x 24.05 cm
- ISBN-101250043344
- ISBN-13978-1250043344
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Product description
About the Author
ELISABETH GIFFORD has written articles for The Times and The Independent and has a Diploma in Creative Writing from Oxford OUDCE and an MA in Creative Writing from Royal Holloway College. The Sea House is her debut novel. She is married with three children. They live in Kingston on Thames, a suburb of London, but spend as much time as possible in the Hebrides.
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Product details
- Publisher : St Martins Pr (15 April 2014)
- Language : English
- Hardcover : 308 pages
- ISBN-10 : 1250043344
- ISBN-13 : 978-1250043344
- Dimensions : 16.56 x 2.79 x 24.05 cm
- Best Sellers Rank: 1,153,323 in Books (See Top 100 in Books)
- 12,439 in Myths & Fairy Tales
- 61,933 in Historical Fiction (Books)
- 62,394 in Women Writers & Fiction
- Customer reviews:
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About the author

Elisabeth Gifford studied French literature and world religions at Leeds University. She has an MA in Creative Writing from Royal Holloway College. She is married with three adult children and lives in Kingston upon Thames.
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In the present day, Ruth and Michael have bought an old Vicarage with the intention of completely renovating it. They have overreached themselves financially, and it doesn't help that the skeleton of a child has just been found beneath one of the rooms, creating a hold up while the police investigate. Distracted from her work, Ruth sets about investigating the history of those who had lived in the house before them, particularly a Victorian clergyman who appeared to be completely obsessed with selkies.
The story is told from three points of view: Ruth, the Rev Alexander Ferguson, and Moira his maid. Ruth is not immediately likeable, but that's due to her past history. I found Alexander's narrative a bit hard going at first, as I've never been keen on stories written in that old style of English, even if it is historically accurate. Moira's story seemed a little bit repetitive, but in the end she became my favourite character.
So at first this story was heading for a solid four stars, but then I became swept up with the characters and their lives, particularly the Victorian timeline and Alexander's tales of mermaids and selkies. I'm English, so I don't know much about Scottish myths and legends, but I found this aspect of the story particularly fascinating. I also enjoyed Alexander's journey from a kind-hearted, slightly naive vicar to - ah, well that would be a spoiler!
Anyway, this one is definitely going on my list of favourite reads and I've already downloaded another book by the same author. Recommended!
For me, there was a strange, nebulous quality about the whole thing, as if looking through misted glass. There were holes in the plot, and many characters lacked clarity. A pity. I love the Hebrides and the selkie mythology, but this book's shortcomings prevented me from really engaging with it.
Often I find that a novel with dual-time narratives, set a long time apart, suffers because one story - typically, the older one - is much more compelling than the other. But this is not the case here.
The contemporary story is about Ruth, a young mother-to-be who is burdenned by the apparent suicide of her mother and by shadowy memories of the children’s home she was brought up in. A strange baby corpse is found buried beneath Ruth and her gentle husband’s house in Harris, which begins to prey on Ruth’s fragile mind. But this is not a horror story. It is about excavating the literal and psychological past in order to free the present.
I loved the cleverly linked nineteenth century narrative about a good but hopelessly naive clergyman and the two young women who fall in love with him on rugged and remote Harris. There are brilliant short passages about the hardship of crofting life and fascinating, practical insights, as when the prospective visit of the laird’s daughter fills the poor servant girl Moira with consternation, worrying about ‘Maggie Kintail’s chickens, which like to live under the bench near the fire ... not to mention the ram that ... still tries to get in through the back door.’
Disappointingly, after the opening chapters, the rugged, stark landscape of Harris features only a few times.
What can I say, within the first few pages I was left completely cold. The prose was perfunctory, it felt laboured, as though the author struggled with every word. In short, it read like an instruction manual, functional, simplistic and just, cold.
Try as I might, I couldn’t make it much beyond the first 3 chapters. The characters just seemed flat and 2 dimensional.
Anyone hoping, as I was, for a flowery historical time slip in the vein of Kate Morton, or the successor to the suspicions of mr whicher, will likely be disappointed.
It is a well written book and I enjoyed the descriptive passages, but the only characters I cared about played a fairly minor part in the book, those who were affected by the clearances.
As I went on through the book the mystery and the mythology were explained away and the whole book took on a different meaning based much more on reality which was a bit disappointing.
It did have a conclusive ending, I do hate books that have open endings, but I did feel the ending was overlong and drawn out.