
Femina: A New History of the Middle Ages, Through the Women Written Out of It
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Extraordinary women have held positions of power throughout history. But, aside from the select few, why do we not hear about them?
The middle ages are seen as a bloodthirsty time of Vikings, Saints and Kings: a patriarchal society that oppressed and excluded women. But by digging a little deeper into the truth, drawing on evidence from all disciplines, we can see that the 'dark' ages were anything but. BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word femina annotated beside them. Male gatekeepers of the past ordered books to be burnt, artworks to be destroyed, and new versions of myths, legends and historical documents to be produced, which has manipulated our view of history.
By weaving a vivid and evocative picture of the lives of the women who influenced their society, we discover not just why these remarkable individuals were removed from our collective memories, but also how many other misconceptions underpin our historical narratives, altering the course of history, upholding the oppressive masculine structures of their present, and affecting our contemporary view of the past.
- Listening Length11 hours and 55 minutes
- Audible release date21 July 2022
- LanguageEnglish
- ASINB09G3KTT85
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 11 hours and 55 minutes |
---|---|
Author | Janina Ramirez |
Narrator | Janina Ramirez |
Whispersync for Voice | Ready |
Audible.co.uk Release Date | 21 July 2022 |
Publisher | Penguin Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B09G3KTT85 |
Best Sellers Rank | 246 in Audible Books & Originals (See Top 100 in Audible Books & Originals) 1 in Medieval European History 2 in Ancient History (Audible Books & Originals) 2 in Women History |
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I needn't have been
Femina is an absolute tour de force, presenting medieval women's lives in an accessible text that is no less academically rigorous for that same accessibility. The citations are extensive and informative, each woman's life is set in both the discovery of her in modern times as it is in the context of her own life, and Dr J makes extensively the point that the view we have of the medieval is inaccurately sanitised in gendered, racial and social class terms. Medieval London was pretty much as diverse as it is now. People who were gender non-confirming existed then as they do now.
Femina is a magnificent book, which highlights so many of the ways women have been marginalised through recent years and emphasises that misogyny hasn't actually changed as much as we think it has. It's an important work that shows the need to interrogate what we are taught and what we believe, and which allows us to see that new technologies, far from obscuring the past, allow us to confirm what we have lost in received knowledge, which gives us a clearer path into the future.
You don't have to be an historian to access & enjoy this original & highly enjoyable work.
It has excellent illustrations from texts, artwork & a very famous embroidery.
Her scholarly knowledge is shared with such warmth, openness & passion, it is a joy to read & you'll discover that some things you thought you knew, were actually just a little bit different.
I cannot recommend this book highly enough. Enjoy your read!
The book is a series of essays about various medieval women, but I found it dissatisfying overall, since other than relating to medieval women, the essays are otherwise disconnected. As the only narrative thread linking these stories is that they are about women, it does not provide the “new history of the Middle Ages” which is the book’s subtitle, and I found any pattern too fragmentary, although the essays are engagingly written and well researched. Ramirez’s excellent introductory essay concludes identifying the book’s purpose more honestly: “We need a new relationship with the past, one which we can all feel a part of. Finding these extraordinary medieval women is a first step, but there are so many other silenced voices waiting to have their stories heard.”
Ramirez’s essay style of an introduction to each chapter’s subject by reference to a relatively contemporary event (for example the 1997 canonisation of the fourteenth century Jadwiga, “King” of the Poles in chapter 7), followed by an imaginative verbal recreation of an event in the individual’s life and then an exploration of their wider historical significance is a good approach. But it does become repetitive and underlines the discontinuity of the essays.
The book is well illustrated with photos of artefacts, artistic reconstructions and useful maps, but for me there appears to be an idiosyncratic choice of historical figures, some well known, others unknown (the Loftus “Princess”), although each essay is engaging and full of interesting stories. Also, after introducing her eminent women in the early chapters, Ramirez can appear to go off on a tangent due to the lack of records, but skilfully brings the narrative back to her chosen exemplar of a worthy woman in the period, providing relevant context for their significance.
In her final thoughts, Ramirez says : “Like so many others, I have been led by generations of historians before me, their contemporary agendas often presented in the guise of empirical truths. I have tried a different, but similarly loaded, approach in this book, putting the spotlight on women. It is no less biased, and is representative of the time in which I am writing. But by re-examining extraordinary women like Hildegard and Margery, casting a new light on over-written females like Æthelflæd and Jadwiga, and using recent discoveries to reconstruct lost individuals like the Loftus Princess and Birka Warrior Woman, the medieval world has taken on a different complexion.”
My overall impression is of the book trying to make a larger argument (thesis) from a collection of engaging essays about medieval women who were influential in their time. Instead the book reads like a collection of case studies with which to make the argument that the role of historically significant medieval women has been downplayed when histories of the medieval period were being being written in the eighteenth to twentieth centuries. This is “topped and tailed” with essays outlining Ramirez’s argument, that the histories of the medieval period need to be expanded to reflect the simplification and distortion of women’s roles, and this book provides some examples of historically significant medieval women.
The challenge identified in this book can be seen to have been accepted in books such as Michael Woods’ 40th anniversary updating of In Search of the Dark Ages published earlier this year, which includes new chapters on the historically significant Anglo Saxon women Aethelflaed, Lady Wynflaed and Eadgyth. The ongoing challenge for popular history writers will be to incorporate the stories of historically significant women seamlessly into broader narrative history, so widening our understanding. It is a difficult balancing act to show relevance and significance, but not to be read by modern readers as just inclusion as positive discrimination of “token” women.
I received a Netgalley copy of this book, but this review is my honest opinion.